When a song took us home
Shraddha Jain’s playful retelling of what Mile Sur Mera Tumhara meant to us is riotously funny—but somewhere between the bursts of laughter, it pries open the sepia-toned reels of our childhood. With a single quip, she transports us back to those grainy Doordarshan afternoons, when the static hum preceded the broadcast, the television gave off the faintly warm scent of heated circuits, and the first notes of that familiar melody felt like a gentle hand on the shoulder of a young nation still learning to dream together.
We were children then, living in a time when the future was still an unopened parcel—mysterious, thrilling, and faintly intimidating. Success was measured in modest currencies: a full tiffin box (a mark of abundance that meant you could share bites with friends), the occasional treat at Balan’s Canteen in Delhi Kannada School—where the main attraction was a limp, petrified dosa, utterly unappealing by today’s standards, but a king’s feast to us then—a bottle of Rasika, a bicycle whose bell actually worked, and the prized Rs. 12.30 DTC all-route pass that promised the city as your playground.
In the midst of this innocent arithmetic of happiness came Mile Sur Mera Tumhara, not with pomp or proclamation, but with the soft persuasion of melody, quietly stitching us into the larger fabric of belonging. Every face on screen was a colossus of their field: musicians, athletes, actors, icons whose very presence felt like a medal pinned upon our collective chest. Yet they were human, approachable, familiar, like neighbours we’d never met but always known.
And it wasn’t alone. The airwaves then were peppered with cultural companions, advertisements like Hamara Bajaj, which sang not of products but of pride, and the hauntingly beautiful Bela Gulab Juhi Champa Chameli from the National Film Development Corporation, which could make even the most restless child pause and watch in wide-eyed wonder. Together, these moments didn’t just entertain, they nurtured a sense of shared identity, a national joie de vivre so tender yet so stirring, the kind of exhilaration that blooms only once in a generation, and perhaps never again.
For a fleeting moment, Shraddha Jain has let us live that childhood again—to remember not only the song but the time and the tender dream it carried. And for that, we owe her our thanks.